Функції казкових мотивів у циклі романів Анджея Сапковського "Відьмацька сага"

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dc.contributor.authorКрапивницька, Марта
dc.date.accessioned2020-03-04T10:37:25Z
dc.date.available2020-03-04T10:37:25Z
dc.date.issued2019
dc.description.abstractУ статті розглянуто роль казкових мотивів в окталогії Анджея Сапковського "Відьмацька сага". Увагу авторки статті зосереджено на питаннях деконструкції казкових сюжетів, реміфологізації, ключових відмінностях між казкою і міфом.uk_UA
dc.description.abstractThe article deals with the role of fairytale motifs in Andrzej Sapkowski’s "The Witcher Saga" octology. The novel is popular in the world and has been translated into several languages, including Ukrainian (however, the present analysis of texts was carried out on the basis of the original editions, and is therefore quoted in the author’s translation). The author of the article focuses her attention on the notion of fairytale deconstruction, and on the transformation and parodying of fairytales, which are focused on the contrast of the total unreliability of a fairytale and the absolute reliability of a myth. This forms the background for remythologization: the valency of mythological characters (vampires, elves) changes; a myth about the birth of the hero develops. The main feature of Sapkowski’s neomythologism is a "duality" of human nature and the finding of human features in demonological creatures. In the octology, the stories of fairy characters and their roles are reinterpreted (most are based on the author’s tales based on Hans Christian Andersen, the Grimm Brothers, Charles Perrault, and Polish legends). Numerous references to the original fairytales pose the question: do events occur in the future or in the past regarding the reality of the reader? "The Witcher Saga" shows us a key difference between fairy tales and myth, as well as their successive deconstruction and the construction of Gerald as a mythical hero (which correlates with the "myth about the birth of the hero" described by Otto Rank). Thus, myth is verified and the reality of a text is remythologizated.en_US
dc.identifier.citationКрапивницька М. М. Функції казкових мотивів у циклі романів Анджея Сапковського "Відьмацька сага" / Марта Крапивницька // Наукові записки НаУКМА. Літературознавство. - 2019. - Т. 2. - С. 109-112.uk_UA
dc.identifier.issn2618-0537
dc.identifier.urihttps://doi.org/10.18523/2618-0537.2019.2.109-112
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/17046
dc.language.isoukuk_UA
dc.relation.sourceНаукові записки НаУКМА. Літературознавствоuk_UA
dc.statusfirst publisheduk_UA
dc.subjectАнджей Сапковськийuk_UA
dc.subjectказкаuk_UA
dc.subjectміфuk_UA
dc.subjectреміфологізаціяuk_UA
dc.subjectстаттяuk_UA
dc.subjectAndrzej Sapkowskien_US
dc.subjecttaleen_US
dc.subjectmythen_US
dc.subjectremythologizationen_US
dc.subjectarticleen_US
dc.titleФункції казкових мотивів у циклі романів Анджея Сапковського "Відьмацька сага"uk_UA
dc.title.alternativeFunctions of Fairytale Motifs in Andrzej Sapkowski’s "The Witcher Saga" Cycle of Novelsen_US
dc.typeArticleuk_UA
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