1994 рік: нові горизонти
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Date
2019
Authors
Петрова, Ольга
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Abstract
Статтю присвячено складним психологічним і матеріальним обставинам, у яких розвивалася культура України (Києва) у 1994 р. за умов фінансового дефіциту в країні та політичного безладу і невизначеності. Йдеться про зусилля інтелектуалів (філософів та митців) протистояти негативним обставинам тодішньої ситуації і працювати на перспективу. Завдяки фінансуванню Фонду Дж. Сороса було засновано програму "Трансформація гуманітарної освіти в Україні", яка сприяла відбору та виданню підручників нового покоління для незалежної України. Ініціаторами видання був Інститут філософії України та директор програми Н. Вяткіна.
Творчий горизонт визначився заснуванням нових музичних програм, зокрема "Київ Музик Фесту" композитором Іваном Карабицем. Він же заснував цикл концертів "Час камерати" та конкурс для молодих виконавців імені Володимира Горовиця. Карабиць співпрацював з художниками Києва, зорганізувавши виставку "Арт Музик Фест". Попри фінансові негаразди, з ініціативи талановитих художників відбулася низка цікавих експозицій. Ці ініціативи підтримував Іван Дзюба, який тоді був на посаді міністра культури.
Молоді художники, що не покладалися на доволі реакційну і байдужу до їхньої долі Спілку художників, організували творчий сквот "БЖ-АРТ" (існував з 1994 по 2014 р.). Там розвивалося інноваційне мистецтво.
The article describes the complex psychological and material circumstances in which the culture of Ukraine (Kyiv in particular) developed in 1994 in the face of financial deficits in the country and political turmoil and uncertainty. It describes the efforts of local intellectuals (philosophers and artists) to resist the negative circumstances of the situation and to work for the future. Thanks to James Soros Foundation, the Transformation of Humanities program in Ukraine was established. The program facilitated the selection and publication of new generation textbooks for independent Ukraine. The initiators of the publication were the Institute of Philosophy of Ukraine and the director of the program N. Viatkina. Such efforts were defining for the formation of the state. The creative horizon was determined by the foundation of new musical programs, including Kyiv Musical Fest organized by composer Ivan Karabits. He also founded the cycle of concerts Time Cameras and a competition for young performers named after Volodymyr Horowitz. I. Karabits collaborated with the artists of Kyiv and arranged the Art Muzyk Fest exhibition. Despite financial turmoil on the initiative of talented artists, a number of interesting expositions took place. These initiatives were supported by Ivan Dziuba, who was Minister of Culture at that time. Young artists, who did not rely on the reactionary and indifferent artist community, organized the creative squat BZH-ART (existed from 1994 to 2014). Innovative art developed there. The appearance of Dzerkalo Tyzhnia newspaper was significant due to its realistic reports. The era of the 1990s came in the facts that often connected readers to the bitter, dramatic, and even tragic pages of those times. The country in the strategy of the publication was capable of realizing itself in the words of journalists. Later, in times of the reign of L. Kuchma and V. Yanukovych, the authorities tried to destroy the publication by all means.
The article describes the complex psychological and material circumstances in which the culture of Ukraine (Kyiv in particular) developed in 1994 in the face of financial deficits in the country and political turmoil and uncertainty. It describes the efforts of local intellectuals (philosophers and artists) to resist the negative circumstances of the situation and to work for the future. Thanks to James Soros Foundation, the Transformation of Humanities program in Ukraine was established. The program facilitated the selection and publication of new generation textbooks for independent Ukraine. The initiators of the publication were the Institute of Philosophy of Ukraine and the director of the program N. Viatkina. Such efforts were defining for the formation of the state. The creative horizon was determined by the foundation of new musical programs, including Kyiv Musical Fest organized by composer Ivan Karabits. He also founded the cycle of concerts Time Cameras and a competition for young performers named after Volodymyr Horowitz. I. Karabits collaborated with the artists of Kyiv and arranged the Art Muzyk Fest exhibition. Despite financial turmoil on the initiative of talented artists, a number of interesting expositions took place. These initiatives were supported by Ivan Dziuba, who was Minister of Culture at that time. Young artists, who did not rely on the reactionary and indifferent artist community, organized the creative squat BZH-ART (existed from 1994 to 2014). Innovative art developed there. The appearance of Dzerkalo Tyzhnia newspaper was significant due to its realistic reports. The era of the 1990s came in the facts that often connected readers to the bitter, dramatic, and even tragic pages of those times. The country in the strategy of the publication was capable of realizing itself in the words of journalists. Later, in times of the reign of L. Kuchma and V. Yanukovych, the authorities tried to destroy the publication by all means.
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Keywords
Фонд Сороса, трансформація гуманітарної освіти в Україні, Київ Музик Фест, сквот "БЖ-АРТ", виставка "Бог є любов", стаття, Soros Foundation, Transformation of Humanities program, Kyiv Musical Fest, BZH-ART squat, "God is love" exhibition, article
Citation
Петрова О. М. 1994 рік: нові горизонти / Ольга Петрова // Наукові записки НаУКМА. Історія і теорія культури. - 2019. - Т. 2. - С. 105-111.