The Return of Burlesque: Comic Forms in Contemporary Ukrainian Literature, 1985–2010
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Date
2015
Authors
Semkiv, Rostyslav
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Abstract
Burlesque as a literary device can serve for satirical purpose, but its main function is revealed
in the provocation of carnivalesque ambivalence. Unlike satire, where an author remains serious,
carnival laughter captures everyone, including its provocateur. This is exuberant laughter that
affirms the joyful fact of very human existence. The use of burlesque in Ukrainian literature does
not refer to a certain epoch, but forms a continuous and powerful tradition. In the middle of the
1980s, with the liberalization of Ukrainian society, literature steadily turned away from a purely
utilitarian role, and burlesque returned, as a device of free and unrepressed laughter. The "Bu-
Ba-Bu" literary group, Yuri Vynnychuk, Les Poderviansky, Mukhailo Brynykh most actively
elaborate burlesque in their writings, either in a carnival context, or as a device of satire. Thus,
the burlesque tradition is quite visible and influential in contemporary Ukrainian literature.
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Keywords
burlesque, carnival laughter, satire, contemporary Ukrainian literature, article
Citation
Semkiv Rostyslav. The Return of Burlesque : Comic Forms in Contemporary Ukrainian Literature, 1985-2010 [electronic resource] / Rostyslav Semkiv // Kyiv-Mohyla Humanities Journal. - 2015. - No. 2. - P. 109-120.