Кіно у творчості Василя Герасим'юка

dc.contributor.authorЛаюк, Мирослав
dc.date.accessioned2019-01-15T11:05:24Z
dc.date.available2019-01-15T11:05:24Z
dc.date.issued2018
dc.description.abstractУ статті досліджено роль кіно у творчості Василя Герасим’юка. Простежено особливості використання кінематографічних прийомів, проаналізовано цитування кінокласики, розкрито значення постаті І. Миколайчука у текстах В. Герасим’юка. Розглянуто вплив "поетичного кіно" і особливо стрічки "Тіні забутих предків" на формування "карпатського тексту" поета.uk_UA
dc.description.abstractIn the poems of Vasyl Herasymiuk, one of the most notable creators of the "Carpathian text" in Ukrainian literature, the interaction of different arts is analyzed. In his poetry and interviews Vasyl Herasymiuk frequently mentions cinema as one of the most important ways of reality comprehension for him. The article explores the role of the cinematography in Vasyl Herasymiuk’s poetry. In particular, I trace the features of cinematic approaches appliance (especially, this article concerns the specific way in which Herasymiuk constructs the composition of the book "The Poet in the Air"). The citations of cinema classics are analyzed (in particular, "Ukrainian poetry cinema", as well as "Auteur cinematography" of his time (Michelangelo Antonioni, Luchino Visconti, Akira Kurosawa, Federico Fellini, Ingmar Bergman). The significance of Ivan Mykolaichuk figure in the Herasymiuk’s texts is discovered (including the influence of the Mykolaichuk’s death on the basic individual concept of Herasymiuk’s work – "August in Old Style"). The influence of “Ukrainian poetic cinema”, particularly the movie "The Shadows of Forgotten Ancestors", on the formation of poet’s "Carpathian text" is analyzed. This pattern is demonstrated on the example of the revolution in the thinking of Herasymiuk’s time, as well as on the presentation of the "Ukrainian text" through the "Carpathian text". In addition, article examines how Herasymiuk designs the Ukrainian history of the 20th century, including the history of his family, as well as his own biography, using the cinema as the instrument of analysis. The role of Herasymiuk’s personal experience in film production is explored as well. In general, the article presents the cinematic correlation with Herasymiuk’s artistic structures.en_US
dc.identifier.citationЛаюк М. М. Кіно у творчості Василя Герасим'юка / Лаюк М. М. // Наукові записки НаУКМА. Літературознавство. - 2018. - Т. 1. - С. 70-73.uk_UA
dc.identifier.issn2618-0537
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/15027
dc.identifier.urihttps://doi.org/10.18523/2618-0537.2018.70-73
dc.language.isoukuk_UA
dc.relation.sourceНаукові записки НаУКМА. Літературознавство. - 2018. - Т. 1uk_UA
dc.statusfirst publisheduk_UA
dc.subjectкіноuk_UA
dc.subjectпоезіяuk_UA
dc.subjectВасиль Герасим’юкuk_UA
dc.subjectІван Миколайчукuk_UA
dc.subject"Тіні забутих предків"uk_UA
dc.subject"карпатський текст"uk_UA
dc.subjectстаттяuk_UA
dc.subjectcinemaen_US
dc.subjectpoetryen_US
dc.subjectVasyl Herasymiuken_US
dc.subjectIvan Mykolaichuken_US
dc.subject"The Shadows of Forgotten Ancestors"en_US
dc.subject"Carpathian text"en_US
dc.subjectarticleen_US
dc.titleКіно у творчості Василя Герасим'юкаuk_UA
dc.title.alternativeCinema in Vasyl Herasymiuk's Poetryen_US
dc.typeArticleuk_UA
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