Концепт вимушеного мовчання в поезії Григорія Чубая
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Date
2019
Authors
Лигіна, Анна
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Abstract
У статті розглянуто концепт вимушеного мовчання в ліриці Григорія Чубая. Проблема безмовності є принципово важливою для українського поетичного андеграунду, хоча й осмислюється в різних аксіологічних і значеннєвих площинах. Наш аналіз зосереджено довкола текстів, об’єднаних спільним поглядом на мовчання як на вимушений і неприродний стан ліричного суб’єкта, ситуацію атрофії творчого слова. Цей стан пов’язаний із вторгненням у простір сакральної всеєдності абсолютного
Чужого: хаосу, смерті та забуття. На образно-символічному рівні Чуже корелює в поезії Г. Чубая
з радянським, а осередком життя та спротиву є простір національного. Руйнівному мовчанню протистоять мова, культура та пам’ять, що уможливлюють віднайдення власного голосу та дають
слову творчу силу.
The article is focused on the concept of silence in the poetry of Hryhoriy Chubai, which is fundamentally important for the Ukrainian poetic underground of the late 1960s and 1970s. This concept has many axiological and semantic dimensions that vary even in the texts of one author. The phenomenon of the unvoiced is substantial for surrealistic and hermetic poetics, and is predisposed to the philosophical particularities of underground Ukrainian poetry. It is also connected to "internal emigration" as a constructive strategy of the author, resisting the cultural and ideological abuse of totalitarianism. However, the main dimension of our analysis is a forced silence of the lyrical subject that faces the atrophy of the poetic word and the disappearance of its magical potency. The poetry is functionally close to prayer, since it structures the world, establishes a bond between earth and heaven, body and soul, past and present. When the human voice is deadened, Chubai’s world loses a sacred beginning, thus reluctant silence is associated with ungodliness and philistinism. This state is connected with the destruction of cosmic unity and an invasion of absolute otherness – chaos, death, and oblivion. In Chubai’s verse such decay is symbolically associated with Soviet topoi, while the possibility of resistance lies in the spheres of national language, culture, and memory, which oppose silence and pave the way to a sacred word.
The article is focused on the concept of silence in the poetry of Hryhoriy Chubai, which is fundamentally important for the Ukrainian poetic underground of the late 1960s and 1970s. This concept has many axiological and semantic dimensions that vary even in the texts of one author. The phenomenon of the unvoiced is substantial for surrealistic and hermetic poetics, and is predisposed to the philosophical particularities of underground Ukrainian poetry. It is also connected to "internal emigration" as a constructive strategy of the author, resisting the cultural and ideological abuse of totalitarianism. However, the main dimension of our analysis is a forced silence of the lyrical subject that faces the atrophy of the poetic word and the disappearance of its magical potency. The poetry is functionally close to prayer, since it structures the world, establishes a bond between earth and heaven, body and soul, past and present. When the human voice is deadened, Chubai’s world loses a sacred beginning, thus reluctant silence is associated with ungodliness and philistinism. This state is connected with the destruction of cosmic unity and an invasion of absolute otherness – chaos, death, and oblivion. In Chubai’s verse such decay is symbolically associated with Soviet topoi, while the possibility of resistance lies in the spheres of national language, culture, and memory, which oppose silence and pave the way to a sacred word.
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Keywords
Григорій Чубай, мовчання, тоталітаризм, поезія українського андеграунду, стаття, Hryhoriy Chubai, silence, totalitarianism, Ukrainian underground poetry, article
Citation
Лигіна А. Д. Концепт вимушеного мовчання в поезії Григорія Чубая / Анна Лигіна // Наукові записки НаУКМА. Літературознавство. - 2019. - Т. 2. - С. 45-52.