Цикл у циклі: "Різдво" й "Коляда" в контексті збірки "Три перстені" Б.-І. Антонича
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Date
2019
Authors
Мудрак, Марина
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Abstract
У статті проаналізовано головні символи, хронотоп та імпліцитні підтексти диптиху "Різдво"
і "Коляда" в контексті збірки як ліричного циклу; простежено, як місце розташування міні-циклу
впливає на загальну семантику циклу і долучається до творення нових смислів; доведено, що провідні
мотиви "Трьох перстенів" і диптиха тісно переплетені між собою і становлять семантико-структурну єдність, яка характерна для особливого типу цілісності, тобто циклу.
The article analyzes the main symbols, chronotop, and the implicit subtexts of the "Rizdvo" and "Koliada" diptych in the context of the collection as a lyrical cycle. A remarkable feature of the poetry of Bohdan Ihor Antonych is the interaction and interpenetration of heterogenous motifs that unfold in an integral organic text. The deep senses of this text (the diptych in particular) are revealed through its compositional organization as well as through a variety of symbolism and imagery. The article depicts the main motifs and symbols of "Rizdvo" and "Koliada", which correlate with mythical heritage, Ukrainian folklore, and Christian tradition. Among them are the birth of God, the Virgin, solar and lunar symbolism (the moon, the sun), the seasons (winter, spring), the motif of a road to the Unknown (to the future). The chronotope of this poem is also special, because time – the past and the present – exist in parallel and create a unique time paradigm that is peculiar in its combination of day and night and spring and winter changes. The location of the mini-cycle affect on the general semantics of the cycle, creating new meaning, is traced. It is shown that the leading motifs of "Try persteni" and the diptych are closely related with each other and constitute a unity that is common for a particular type of poetic integrity (a cycle).
The article analyzes the main symbols, chronotop, and the implicit subtexts of the "Rizdvo" and "Koliada" diptych in the context of the collection as a lyrical cycle. A remarkable feature of the poetry of Bohdan Ihor Antonych is the interaction and interpenetration of heterogenous motifs that unfold in an integral organic text. The deep senses of this text (the diptych in particular) are revealed through its compositional organization as well as through a variety of symbolism and imagery. The article depicts the main motifs and symbols of "Rizdvo" and "Koliada", which correlate with mythical heritage, Ukrainian folklore, and Christian tradition. Among them are the birth of God, the Virgin, solar and lunar symbolism (the moon, the sun), the seasons (winter, spring), the motif of a road to the Unknown (to the future). The chronotope of this poem is also special, because time – the past and the present – exist in parallel and create a unique time paradigm that is peculiar in its combination of day and night and spring and winter changes. The location of the mini-cycle affect on the general semantics of the cycle, creating new meaning, is traced. It is shown that the leading motifs of "Try persteni" and the diptych are closely related with each other and constitute a unity that is common for a particular type of poetic integrity (a cycle).
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Keywords
символи, хронотоп, цикл, контекст, провідні мотиви, Б.‑І. Антонич, стаття, symbols, chronotope, cycle, context, leading motifs, B.‑I. Antonych, article
Citation
Мудрак М. В. Цикл у циклі: "Різдво" й "Коляда" в контексті збірки "Три перстені" Б.-І. Антонича / Марина Мудрак // Наукові записки НаУКМА. Літературознавство. - 2019. - Т. 2. - С. 65-71.