Стосунки з Богом у поезії Миколи Вінграновського
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Date
2018
Authors
Богдан, Світлана
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Abstract
Статтю присвячено сакральним мотивам у поезії М. Вінграновського. Розглянуто правопис слова "Бог" у ранніх і пізніших поезіях автора, вказано на тексти з релігійною образністю і тематикою (зокрема проаналізовано неопубліковані рукописи). Наведено свідчення сучасників поета про
його стосунки з Богом. Зроблено спробу показати, що засвідчена заангажованість М. Вінграновського в релігійний дискурс дає підстави розгортати інтерпретацію його поезій також і в межах
цього дискурсу, зокрема – в аспекті поєднання однини і множини на мовному рівні, а також в аспекті відчуття загальної всеєдності як складника переживання всеприсутності Бога, яку засвідчують
різні релігійні традиції.
The article attempts to consider sacred motifs in the poetry of M. Vinhranovskyi. Although atheistic motifs are present in the author’s early poems, he later leaves them behind and edits openly atheistic lines. His poetry is characterized by a sense of universal unity, one of the manifestations of which is the peculiar use of the category of quantity, the pairing of the same word in the singular and plural, which can be interpreted with the involvement of religious discourse (since the unity of the individual and the multiple is the quality of God, as indicated by various religious traditions). The spelling of the word “God“ in the early and later poems of M. Vinhranovskyi is considered, texts with sacred motifs are indicated. New perspectives on this issue were made possible by the study of the author’s unpublished manuscripts, which are kept in the National Museum of Literature of Ukraine: some of them contain explicitly religious imagery and subjects, as discussed in the article. The testimony of the poet’s contemporaries about his relationship with God is given. An attempt is made to show that the testimony of M. Vinhranovskyi’s interposition in religious discourse gives grounds for deploying the interpretation of his poetry within this discourse, in particular – in the aspect of the combination of the singular and plural at the linguistic level, as well as in the sense of a general unity as a manifestation of the sense of God’s all-presence, also evidenced by various religious traditions.
The article attempts to consider sacred motifs in the poetry of M. Vinhranovskyi. Although atheistic motifs are present in the author’s early poems, he later leaves them behind and edits openly atheistic lines. His poetry is characterized by a sense of universal unity, one of the manifestations of which is the peculiar use of the category of quantity, the pairing of the same word in the singular and plural, which can be interpreted with the involvement of religious discourse (since the unity of the individual and the multiple is the quality of God, as indicated by various religious traditions). The spelling of the word “God“ in the early and later poems of M. Vinhranovskyi is considered, texts with sacred motifs are indicated. New perspectives on this issue were made possible by the study of the author’s unpublished manuscripts, which are kept in the National Museum of Literature of Ukraine: some of them contain explicitly religious imagery and subjects, as discussed in the article. The testimony of the poet’s contemporaries about his relationship with God is given. An attempt is made to show that the testimony of M. Vinhranovskyi’s interposition in religious discourse gives grounds for deploying the interpretation of his poetry within this discourse, in particular – in the aspect of the combination of the singular and plural at the linguistic level, as well as in the sense of a general unity as a manifestation of the sense of God’s all-presence, also evidenced by various religious traditions.
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Keywords
Бог, сакральні мотиви, релігійний дискурс, українське літературне шістдесятництво, стаття, God, sacred motifs, religious discourse, Ukrainian literary sixties
Citation
Богдан С. М. Стосунки з Богом у поезії Миколи Вінграновського / Богдан С. М. // Наукові записки НаУКМА. Літературознавство. - 2018. - Т. 1. - С. 44-48.