Маркери розпаду жанрово-стильової системи літератури другої пол. ХХ ст.

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dc.contributor.authorНаливайко, Дмитро
dc.date.accessioned2020-01-20T13:05:44Z
dc.date.available2020-01-20T13:05:44Z
dc.date.issued2019
dc.description.abstractУ статті розглянуто трансформаційні процеси, що відбувалися в літературі на рівні її жанрово- стильової типології. Проаналізовано роль у цьому процесі "нового роману", "літератури факту", наукової фантастики, новітнього міфологізму, інтелектуальної прози, драматургії й поезії, а також естетики постмодернізму з її зміною співвідношення між творчо-оригінальним і повторюваним, парафразованим на користь другого - явище "центонності".uk_UA
dc.description.abstractThe article focuses on the transformation processes that took place in literature at the level of its genre and style typology. In the 2nd half of the 20th century certain genres and types of writing acquired meanings and functions of styles. It could be one of the most widespread or even dominant genres (for example, "new novel"), a type of fiction (modern "literature of fact"), a genre of literature at the border with other kinds of spiritual and creative activity (essay, biography, etc.). The functioning in a literary process made them close to styles and literary trends and changed their basic code. Usually they acted as dominant ramified genres or types of writing subordinating other (marginal) genre forms. A paradigmatic feature of a "new novel" is convergence of literature and science, writers and scientists. Due to scientific and technical revolution the criterion of accuracy and appreciation of real fact and document took an important place in a writer’s conscience. The "aesthetics of fact", formed on this ground, gave a basis for the non-fictional genres in the 20th-century literature. The use of ready "blocks of life" in the non-fiction of the 2nd half of the 20th century is tightly connected to acute conceptuality and often to apparent journalism. The writer’s imagination was focused on revealing semantic and artistic potential of the real facts. The intellectual prose, dramaturgy and partly poetry were full of genres and genre varieties with strict semantic and imaginative structure, aimed to express certain generalizations and actual world view ideas. These are novels-parables, novels-allegories, novels-symbols, and others like that. The theme and motive construct, especially in its mental and epistemological aspect, became frequent in a lyrical poetry. It was the way of forming the metagenre concepts of philosophical and meditative lyrical poetry, as well as, in particular, metaphysical, prophetical, suggestive, intimate, social, and journalistic one, with their inherent main codes. The process of leveling and destructing the traditional genres, styles, and their systems in postmodernism, as well as recombining their components, resulted in emergence of numerous hybrid forms. The ratio of original and repetitive or paraphrased material in the literary works began to change.en_US
dc.identifier.citationНаливайко Д. С. Маркери розпаду жанрово-стильової системи літератури другої пол. ХХ ст. / Наливайко Дмитро // Слово і час. - 2019. - №11. - С. 4-19.uk_UA
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/16906
dc.language.isoukuk_UA
dc.relation.sourceСлово і часuk_UA
dc.statusfirst publisheduk_UA
dc.subjectнаукова фантастикаuk_UA
dc.subject"новий роман"uk_UA
dc.subject"література факту"uk_UA
dc.subjectінтелектуальна прозаuk_UA
dc.subjectміфологізмuk_UA
dc.subjectпостмодернізмuk_UA
dc.subjectстаттяuk_UA
dc.subject"new novel"en_US
dc.subject"literature of fact"en_US
dc.subjectintellectual proseen_US
dc.subjectmythologizationen_US
dc.subjectscience fictionen_US
dc.subjectpostmodernismen_US
dc.subjectarticleen_US
dc.titleМаркери розпаду жанрово-стильової системи літератури другої пол. ХХ ст.uk_UA
dc.title.alternativeDisintegration Markers of Genre and Style System in Literature of the 2nd Half of the 20th Centuryen_US
dc.typeArticleuk_UA
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