"Μίμησις-наслідування - мімесис": поняття і термін у добу модерн

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dc.contributor.authorШалагінов, Борис
dc.date.accessioned2014-11-04T13:21:33Z
dc.date.available2014-11-04T13:21:33Z
dc.date.issued2013
dc.description.abstractПростежується розвиток поняття "мімесис" в докантівську, модерну і післямодерну добу з урахуванням історичних змін у розумінні поняття "природа" як оточення (реальність) і "людська природа".uk_UA
dc.description.abstractПреслеживается развитие понятия "мимесис" в докантовскую, модерную и пастмодерную зпоху с учетом исторических изменений в понимании понятия "природа" как окружение (реальность) и "человеческая природа".ru_RU
dc.description.abstractUsing the concept "mimesis" every historical period added something new to it, reinterpreted it until it paradoxically departed from its original semantic variant associated with the names of Plato and Aristotle. It is stated that the European aesthetics of the Modem period was enriched rather bу "moderruzed" than authentic understanding of this concept. The so-called Roman classicism becomes the first stage of the receptivc understanding of Plato and Aristotle's concept. Then the this classicism is followed bу the classicism of thc XVII century and the classicism of the XVIII century, then goes Romanticism of XVIII-XIX centuries, and finally its new history is made in the ХІХ and ХХ centuries. Provided in the article guide marks show that "mimesis", "imitation", search for stable terminological basis for our intellectual, aesthetic and practical work is а contradictory and ambiguous process that requires consideration of many factors. The development of the concept "mimesis" in pre-Kantian, modem and postmodem periods as well as historical changes in the meaning of the very concept "nature" as environment (reality) and "human nature" is traced. Kant's "transcendental idealism" became the basis of the new philosophy of nature. It became а basis for the romantic authors who actually only extended and specified the ideas that developed bу Kant in the field of epistemology, and bу Goethe in the realm of aesthetics. Transformation of the romantic idea about the inner human nature that changed the content of the concept "mimesis" is linked in the article with the name of S. Freud and his followers.en_US
dc.identifier.citationШалагінов Б. Б. "Μίμησις-наслідування -мімесис": поняття і термін у добу модерн / [electronic resource] Борис Шалагінов // Питання літературознавства. - 2013. - № 88. - С. 117-126.uk_UA
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/3356
dc.language.isoukuk_UA
dc.statuspublished earlieruk_UA
dc.subjectмімесисuk_UA
dc.subjectрецепція поняттяuk_UA
dc.subjectприродаuk_UA
dc.subjectнімецький романтизмuk_UA
dc.subjectМодернuk_UA
dc.subjectфройдизмuk_UA
dc.subjectміфuk_UA
dc.subjectстильuk_UA
dc.subjectстаттяuk_UA
dc.subjectмимесисru_RU
dc.subjectрецепция понятияen_US
dc.subjectприродаru_RU
dc.subjectнемецкий романтизмru_RU
dc.subjectМодернru_RU
dc.subjectфройдизмru_RU
dc.subjectмифru_RU
dc.subjectстильru_RU
dc.subjectстатьяru_RU
dc.subjectmimesisen_US
dc.subjectreception of the concepten_US
dc.subjectnatureen_US
dc.subjectGerman Romanticismen_US
dc.subjectМоdernen_US
dc.subjectFreudianismen_US
dc.subjectmythen_US
dc.subjectstyleen_US
dc.subjectarticleen_US
dc.title"Μίμησις-наслідування - мімесис": поняття і термін у добу модернuk_UA
dc.title.alternative"Μίμησις-подражание - мимесис": понятие и термин в эпоху модернru_RU
dc.title.alternative"Μίμησις-imitation - mimesys": concept and term in the age of modernen_US
dc.typeArticleuk_UA
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