The Image of Jacob on the Throne of God and the Construction of Liturgical Space in Late Antiquity

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dc.contributor.authorSivertsev, Alexei M.
dc.date.accessioned2019-02-25T10:04:35Z
dc.date.available2019-02-25T10:04:35Z
dc.date.issued2015
dc.description.abstractThe motif of Jacob’s face engraved on the Throne of Glory has been an object of continued scholarly attention for the past several decades and has been studied in a variety of literary contexts, from Second Temple and early Christian to medieval. More recently, two excellent contributions by Rachel Neis and Ra’anan Boustan have done a lot to situate this motif specifically within its eastern Roman context by mapping out the motif’s place within the broader Byzantine discourse on images and relics. In this article, I expand on Neis’s and Boustan’s work by analyzing the place of Jacob’s image within the semiotics of late Roman and early Byzantine liturgical performance.en_US
dc.identifier.citationSivertsev A. M. The Image of Jacob on the Throne of God and the Construction of Liturgical Space in Late Antiquity / Alexei M. Sivertsev // Judaica Ukrainica : Annual Journal of Jewish Studies. - 2015. - Vol. 4. - P. 18-35.en_US
dc.identifier.issn2305-4034
dc.identifier.issn2305-5278
dc.identifier.urihttps://ekmair.ukma.edu.ua/handle/123456789/15209
dc.language.isoenen_US
dc.relation.sourceJudaica Ukrainica : Annual Journal of Jewish Studies. - 2015. - Vol. 4en_US
dc.statuspublished earlieren_US
dc.subjectLate Antiquityen_US
dc.subjectJacoben_US
dc.subjectimageen_US
dc.subjectThrone of Goden_US
dc.subjectLiturgical Spaceen_US
dc.subjectconstructionen_US
dc.subjectThrone of Gloryen_US
dc.subjectsemioticsen_US
dc.subjecthistoryen_US
dc.subjectLiturgyen_US
dc.subjectRoman performanceen_US
dc.subjectByzantine performanceen_US
dc.subjectarticleen_US
dc.titleThe Image of Jacob on the Throne of God and the Construction of Liturgical Space in Late Antiquityen_US
dc.typeArticleen_US
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Volume 4 (2015)