Автор статті на матеріалі поезії Василя Герасим’юка аналізує поетику творення як аспект поетики тексту. В роботі простежено процес взаємотворення автора та його поетичного тексту. З’ясовано, чому два види гуцульських народно-художніх промислів – "кахлі" та "суха різьба" – стають
означниками етапів творчості Герасим’юка, інтегральними символами його поетичних стратегій.
Проаналізовано особливості реалізації цих стратегій у контексті поетики творення.
The article analyzes some of the theoretical and applied aspects of the poetics of creation. The necessity of
such an approach in modern poetical research is grounded. Based on the analysis of Vasyl Herasymyuk’s poetry,
the interaction of the author and the text in the creative process has been traced. The fact of this interaction is
established: the poet creates the text as well as the text creates the poet. Both the author and the text are connected
with the infrastructure of the Carpathian “Hutsul text” in its cultural, historical and metaphysical dimensions.
“Hutsul text” is defined as an “object of discourse” whose intentional being can be realized by the “subject
of discourse” only partially in concrete works of art. It is found out why two kinds of Hutsul folk crafts –
painted ceramics (“tiles”) and woodcarving (“dry carving”) have become the symbols of Vasyl Herasymyuk’s
poetical strategies which mark the stages of his work. Special attention is paid to implementation of these
strategies. The “behavior of the text” which may be contrary to the author’s intention is also noted.
