Gronek, Anieszka2023-01-302023-01-302022Gronek A. The Renaissance as a Process: the Transformation in Orthodox Church Painting in the Polish-Lithuanian Commonwealth / Agnieszka Gronek // Київська Академія. - 2022. - Вип. 19. - С. 113-151. - https://doi.org/10.18523/1995-025X.2022.19.113–1511995-025X2616-7123https://doi.org/10.18523/1995-025X.2022.19.113–151https://ekmair.ukma.edu.ua/handle/123456789/24626The Ruthenian Orthodox art in the Polish-Lithuanian Commonwealth in the sixteenth century opened itself to the influences of Western European culture. The article is devoted to а description and analysis of this phenomenon. Although for most of the seventeenth century no work emerged that was pure enough in terms of its style that it could be termed а fully Renaissance work, this fact does not mean that there wasn’t any Renaissance at all. Here the Renaissance was not а style, an epoch, or а period, but а process that unfolded over two centuries, without а strictly defined beginning and end.enRenaissanceOrthodox Church artUkrainian artRuthenian artPolish-Lithuanian Commonwealth16th century17th centuryarticleThe Renaissance as a Process: the Transformation in Orthodox Church Painting in the Polish-Lithuanian CommonwealthArticle