Культурологічна модель декадентського твору

Кирилова, Ольга

dc.contributor.author	Кирилова, Ольга
dc.date.accessioned	2016-08-29T11:00:15Z
dc.date.available	2016-08-29T11:00:15Z
dc.date.issued	2016
dc.identifier.citation	Кирилова Ольга Олексіївна. Культурологічна модель декадентського твору / Кирилова О. О. // Наукові записки НаУКМА. - 2016. - Т. 179 : Теорія та історія культури. - С. 28-31.	uk
dc.identifier.uri	http://ekmair.ukma.edu.ua/handle/123456789/9366
dc.description	The article is focused on the re-construction of the “decadence pattern of work of art” by means of a cultural study. Such a pattern, consisting of multiple levels, is important to be defined as the criterion of the decadent pattern of work of art in both narrative and non-narrative arts. In this pattern, a number of levels, codes and motives can be outlined. The universal principles are classified as narrative, anthropological, and worldview (symbolist/decadent). The first one allows to outline a number of codes. The Code of Death (thanatological code) as the key cultural code of decadence is related to the structure of a work of art and certain character structures (patterns) related to cultural myths: the pattern of Anti-Pygmalion, the pattern of Maria Vechera, the decadent suicidal pattern. The Feminological Code presumes the feminocentric structure of a work of art and its morphology. The Code of Overman (the code of degeneration) is considered to be ambivalent in the decadent oeuvre, as the notions of ‘strength’ and ‘weakness’ of a subject are considered to be ambivalent in the dialectics of decadence. The Code of Insanity refers to the Dionysian dimension of decadence as well as to the degeneration code. As for non-narrative arts, the ‘decadence pattern’ can be transformed, one the one hand, by outlining the universal levels among those outlined above, and, on the other hand, by introducing specific levels for this very type of art. In visual arts (basically painting), the morphological level can be outlined as the basic level to resolve the question of the structure. A piece of music can constitute the above codes as specific musical metaphors and also be constituted as a part of ‘Gezamtkunstwerk’ as an auditory level of a more complex work of art. The re-construction of a ‘decadence pattern’ in a work of art seems to be the most complex concerning the cinematic text with multiple levels.	en
dc.description.abstract	Статтю присвячено першій послідовній культурологічній реконструкції узагальненої моделі декадентського твору. У цій реконструкції виділено базові загальні рівні (світоглядний, антропологічний, наративний, морфологічний) та проаналізовано систему кодів і патернів, властиву цій моделі.	uk
dc.language.iso	uk	uk
dc.subject	модерн/символізм/декаданс	uk
dc.subject	декадентський твір	uk
dc.subject	культурологічне моделювання	uk
dc.subject	наративні мистецтва	uk
dc.subject	танато-теургія	uk
dc.subject	код	uk
dc.subject	мотив	uk
dc.subject	патерн	uk
dc.title	Культурологічна модель декадентського твору	uk
dc.title.alternative	“Decadence Pattern” in the Work of Art	en
dc.type	Article	uk
dc.status	published earlier	uk
dc.relation.source	Наукові записки НаУКМА. - 2016. - Т. 179 : Теорія та історія культури. - С. 28-31.	uk