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The Reconstruction of Christian Theodicy in Taras Shevchenko’s Poetry

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dc.contributor.author Bihun, Olha
dc.date.accessioned 2020-01-15T13:45:03Z
dc.date.available 2020-01-15T13:45:03Z
dc.date.issued 2019
dc.identifier.citation Bihun O. The Reconstruction of Christian Theodicy in Taras Shevchenko’s Poetry [electronic resource] / Olha Bihun // Kyiv-Mohyla Humanities Journal. - 2019. - Issue 6. - P. 161-176. - https://doi.org/10.18523/kmhj189062.2019-6.161-176 en_US
dc.identifier.uri http://ekmair.ukma.edu.ua/handle/123456789/16886
dc.description.abstract This article focuses on the role of Christian theodicy in Taras Shevchenko’s works. With a biography marked by trauma and suffering, it is no wonder that Shevchenko orients his poetic worldview in search of understanding the nature of evil and human suffering. Operating through a Christological model, Shevchenko arrives at a poetics based on theodicy, as a means of understanding suffering in the world. He analyses the problem of evil associated with the phenomenology of suffering within the framework of religious ethics. The works of the early period emphasize "truth and revenge", retribution, and physical punishment over the "malicious" in the spirit of Old Testament dogma. The period of Shevchenko’s exile and subsequent works is characterized by changes in moods. The theodicy of Shevchenko’s works reveals the signs of Christodicy. Shevchenko’s concept of "suffering" is theologically based, as he believes that suffering is the key to conversion to faith. en_US
dc.language.iso en uk_UA
dc.subject theodicy en_US
dc.subject Christianity en_US
dc.subject suffering en_US
dc.subject evil en_US
dc.subject anthropology en_US
dc.subject Taras Shevchenko en_US
dc.subject article en_US
dc.title The Reconstruction of Christian Theodicy in Taras Shevchenko’s Poetry en_US
dc.type Article uk_UA
dc.status first published uk_UA
dc.relation.source Kyiv-Mohyla Humanities Journal en_US


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