| dc.contributor.author |
Rewakowicz, Maria
|
|
| dc.date.accessioned |
2018-12-24T10:06:28Z |
|
| dc.date.available |
2018-12-24T10:06:28Z |
|
| dc.date.issued |
2018 |
|
| dc.identifier.citation |
Rewakowicz M. G. Bohdan Boichuk's Childhood Reveries: A Migrant's Nostalgia, or, Documenting Pain in Poetry / Maria G. Rewakowicz // Kyiv-Mohyla Humanities Journal. - 2018. - No. 5 : Cross-Cultural Connections and Displacement in Ukraine and Beyond. - P. 133-142. |
en_US |
| dc.identifier.issn |
2313-4895 |
|
| dc.identifier.uri |
http://ekmair.ukma.edu.ua/handle/123456789/14968 |
|
| dc.identifier.uri |
https://doi.org/10.18523/kmhj150392.2018-5.133-142 |
|
| dc.description.abstract |
This paper examines Bohdan Boichuk’s poetry by looking into the role his childhood
memories played in forming his poetic imagination. Displaced by World War II, the
poet displays a unique capacity to transcend his traumatic experiences by engaging in
creative writing. Eyewitnessing war atrocities perpetrated by the Nazis does not destroy
his belief in the healing power of poetry; on the contrary, it makes him appreciate poetry
as the only existentially worthy enterprise. Invoking Gaston Bachelard’s classic work
The Poetics of Reveries: Childhood, Language, and the Cosmos, I argue that Boichuk’s
vivid childhood memories, however painful they might be, helped him poetically
recreate and reimagine fateful moments of his migrant life. |
en_US |
| dc.language.iso |
en |
en_US |
| dc.subject |
war and poetry |
en_US |
| dc.subject |
childhood memories |
en_US |
| dc.subject |
migrant displacement |
en_US |
| dc.subject |
Bohdan Boichuk |
en_US |
| dc.subject |
Gaston Bachelard |
en_US |
| dc.subject |
article |
en_US |
| dc.title |
Bohdan Boichuk's Childhood Reveries: A Migrant's Nostalgia, or, Documenting Pain in Poetry |
en_US |
| dc.type |
Article |
en_US |
| dc.status |
first published |
en_US |
| dc.relation.source |
Kyiv-Mohyla Humanities Journal. - 2018. - No. 5 : Cross-Cultural Connections and Displacement in Ukraine and Beyond |
en_US |